When the vineyard moves faster than the rulebook

More and more of Bordeaux's interesting wines are labelled 'Vin de France' — some to keep making the same wine despite the climate, some to attempt an entirely new one. Our Caprice, 100% Alvarinho, belongs to the second kind.
Eine Flasche Caprice mit dunkelbraunem Glas und cremeweißer Wachskapsel steht auf sandigem Boden am Rand eines Kiefernwaldes im warmen Abendlicht.

Some of the most interesting wines coming out of Bordeaux right now don't carry the Bordeaux name at all. Their label reads “Vin de France” — and increasingly that is a choice, not a shortfall.

For most of a century the appellation was the guarantee: it set out which grape varieties may grow where and in what proportion, and how the wine must be made. That framework was built for a stable climate. The climate is no longer stable — and the vineyard now moves faster than the administration that governs it.

It is worth keeping apart two very different reasons a Bordeaux estate reaches for the “Vin de France” label today; they are easily confused, yet they are not the same thing.

The first is continuity: leaving the appellation in order to keep making, in essence, the wine one has always made. Adapting to a warmer climate increasingly calls for practices that the appellation's cahier des charges restricts or forbids — above all irrigation, permitted within the AOC only in exceptional cases, along with canopy work and planting density. As a Vin de France an estate gains the room to adapt the vineyard and hold the wine's character steady. Château Lafleur, one of Pomerol's most sought-after estates, is the prominent case: from the 2025 vintage every one of its wines is labelled “Vin de France”, the Guinaudeau family reasoning soberly that the climate had changed faster than the appellation could allow for in the vineyard.

The second reason is the opposite impulse: to make a wine the cahier des charges does not know at all — with a grape variety, or a proportion of it, that the rules do not contain. The appellation has moved in this direction; in 2021, after more than a decade of trials, the INAO added six new varieties to the Bordeaux rules, Alvarinho among them, against heat and drought. But the allowance is deliberately narrow — at most 5% of the vineyard area, 10% of the blend — so that a wine built entirely on such a grape can only be Vin de France. Here the label stands not for adaptation but for something new.

Our own small wine belongs to the second group. Our Caprice is 100% Alvarinho, ten times the permitted share. It grows on a single young parcel at the forest's edge, on sandy-clay soil over rock some thirty million years older than the rest of our vineyard, and it is made in a reductive discipline schooled in Burgundy — no stirring of the lees, long, undisturbed ageing — that carries it toward struck match, wet stone and salinity, away from the fruit-forward style in which the grape is usually made. We make it in very small quantities, above all to find our own handwriting with it: around a hundred bottles in 2023 and again in 2025, almost all poured at the estate, with a plan to grow to about five hundred from 2026.

Two very different roads lead through the same gate — one to preserve a wine, the other to invent one. An appellation describes where a grape may grow and in what proportion; it was never a verdict on what ends up in the glass. And as the climate keeps rewriting the conditions, “Vin de France” sounds less and less like a wine without a home.